Posted in Arty sparks, Musical sparks

Hip Hop Hooray

A lot of people don’t know this about me, but I love hip hop music. I am whiter than most white people (thanks to my Irish genes), can’t really dance, don’t like a lotta bling, and I’m not really very street-wise, but for some reason I love hip hop. Not all of it, but a lot of it. Maybe it’s because I love words and people who are clever with words (and by that I don’t mean people who can only rhyme ‘ho’ with ‘blow’, or ‘cop’ with ‘pop’). There are some brilliant hip hop lyrics, aside from the trashy sexist, racist, violent stuff that you often hear about. And a very cool design studio in Chicago – Orange Beautiful – has produced a series of prints based on some famous lyrics. This first series features an ‘Ice’ connection. I found them via Fab.com and I like them alot…

All right, stop – collaborate and listen. Vanilla Ice, or Robert Van Winkle as he was known to his family, is credited with releasing the first single that brought hip hop into the mainstream (entering the Billboard music charts when it was released in 1989/90). It was Ice Ice Baby and it was a massive hit (and a guilty pleasure for many people who were too embarrassed to admit that they were hooked by Vanilla Ice and his catchy tune). So many memorable lines, but Orange Beautiful have chosen to immortalise: Anything less than the best is a felony. Words to live by, for sure.

Then there’s Ice Cube – a giant of hip hop who has also had success in film and tv (production and acting). Ice Cube should not be confused with Ice T, another hip hop legend who now plays a detective Law and Order: SVU. Orange Beautiful have picked the only lyrics that I think are fit for framing from Ice Cube’s Check Yo Self – sound advice for anyone you know who is maybe hitting life a little too hard: You better check yo self before you wreck yo self.

And to finish on a more deep and meaningful note, here is a print of Ice T’s lyrics from Don’t Hate the Playa, a graphically worded song that’s a twist on the footballing/life expression, ‘play the ball, not the man’: Don’t hate the playa, hate the game. They could also have used another classic line from that song, some financial advice from Ice T: If you out for mega cheddar, you got to go high risk. Maybe next series. (As an aside, the styling of this photo from the Fab website makes me laugh.)

You can check out these limited edition prints from Orange Beautiful on sale at Fab.com here as they’re not yet on the Orange Beautiful website (or their etsy shop) here. Peace out.

Posted in Musical sparks, Sydney sparks, Uncategorized

Tony Bennett. Legend.

Last night my mum and I went to see Tony Bennett at the Sydney Opera House. (Just to clarify – the pic on the left is a Billboard Grammys photo, we didn’t get that close. And he didn’t bring Lady Gaga. But I think that the photo is funny.)

I had bought the tickets for my mum’s birthday earlier this year as we love Tony Bennett and his cronies (something to do with my Grandad, our own Italian-New Yorker, I’m sure).

We last saw Tony Bennett at the Lyric Theatre at Sydney’s Casino (a truly beautiful theatre stuck in a hideously tacky venue – imagine the Kardashian wedding held in Paris’ Sacre Coeur and you’ll kinda get the feeling). So it was nice to see the now 85 year old crooner in the fabulous Concert Hall of the Opera House on a cool Sydney evening. (And if you’re not from ’round here, the tent looking things in my pic on the right aren’t market stalls but Opera Bar – best views in town.) The average age of the crowd was probably about 60 and I helped the nice couple next to us read their ticket numbers (they forgot their glasses) and the chap in front was sporting a fetching 1960s style red gingham jacket (and he wasn’t a hipster being ironic).

Tony’s daughter Antonia opened the show. Now, I don’t like to be cruel and Lord knows I can’t sing, but I do believe that if she was a gal born to a different daddy, Antonia would not be singing on the Opera House stage. Her voice is fine – sometimes sweet, but not very strong and often a little pitchy to my ears. I whispered to my mum, I hope that if Dad becomes a singer, he lets me open his show even though I can’t sing. And like a true stage mother, she replied, Well I hope you’ll wear something a lot more glamorous if that happens.

But Antonia knew we hadn’t come to see her, so she only stayed on stage for about 30 mins before the real star of the show came out. And what a star he is – performing hit after hit for over an hour and a half, without a break or a drink of water. HE IS 85. And his voice is strong – maybe just a little creaky by the end of the night, as anyone’s would be – as he hits the higher notes and brings home the powerful lyrics. HE IS 85. His band (at least from where we were sitting) all look like old timers too, but they were equally impressive.

From classics such as I Left My Heart In San Francisco to The Way You Look Tonight; from his stories about Bob Hope and Charlie Chaplin to bustin’ out some amazing dance moves that would put most men in their 20s to shame; from his genuine delight when people applaud or squeal to the incredible finale – Fly Me To The Moon. Without any microphone. HE IS 85. He said it was to test the acoustics of the Concert Hall, but I reckon it was to test the ol’ lungs and maybe show off a bit that he’s still got such talent. Whatevs, Tony Bennett – at 85 as at 25, you’re a true legend.

 

 

(This last pic has no relevance – I just took it last night and didn’t want our Bridge to feel left out of this post.)

Posted in Arty sparks, Musical sparks, Sydney sparks

The ukuleles are in town

So, last night I went to see the Ukulele Orchestra of Great Britain at the Opera House. Oh yes I did. My friend Jane bought tickets and invited me to go along and it sounded just weird enough to be my cup of tea, so away we went. Before the show, we were at Opera Bar and noticed lots of people (ok, by ‘lots’, I clearly don’t mean thousands, let’s say at least 37) carrying little ukelele-shaped cases. At first, I was surprised that the orchestra members would be out drinking so close to showtime, then realised that these must actually just be random people carrying ukuleles. The ukulele carriers covered some pretty broad demographics – men and women, young and old, two eyes and four eyes. I know it sounds dumb, but I had never really thought of ukuleles as instruments before last night. More of a cute-looking joke present to give a niece or a friend who secretly wanted to be Slash, but lacked any musical ability.

Anyways, we got to the concert hall and it appeared that the gig was sold out, or pretty close to it. On our right was a fancy looking pair of seniors, who told us that they had brought their daughter and their grandson (with his ukulele). And their Indian parish priest from Maroubra (with his ukulele), who seemingly loves music and turns every church service into a singalong. On several occasions of audience participation, said priest thrust his ukulele high in the air, like some sort of salute to the gods. Rock on, Father. On our left was another fancy looking pair of not-quite-as-seniors from the north shore. Jan was learning the ukulele after completing some classes for beginners at an evening college and had recently enjoyed a ukulele jam session with a group in Sydney’s inner west. Even my friend Jane advised that she had taken ukulele lessons. I like to think I’m pretty down with current trends and I definitely love music, so I feel like I have missed something here. WHEN DID THE UKULELE GET SO POPULAR? AND WHY DID NO ONE TELL ME?

Whatever, the concert was fun, with everything from Beethoven to Lady Gaga to a Playschool-esque singalong version of the Sex Pistols’ Anarchy in the UK. The highlights for me were the emotional rendition of Wheatus’ Teenage Dirtbag and the upbeat, jazzy take on Kate Bush’s Wuthering Heights. As we left, I was happy, but still not sure what to make of this new (to me, at least) ukulele world. However, I am nothing if not easily inspired, so thought I’d get home and google ukulele instructors in my neighbourhood and start taking classes. Then I ran into a group of youngish ukulele carriers near the taxis and my immediate reaction was: WEIRDOS. And that was the end of that.

PS, if you want to visit ukulele world without paying for a ticket, you can check out the Orchestra on You Tube.